Table of Contents
Christmas in Vienna 1999 The Three Tenors L.Pavarotti, J.Carreras,P.Domingo
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Christmas in Vienna 1999 The Three Tenors L.Pavarotti, J.Carreras,P.Domingo. Recorded Live at the Konzerthaus,Vienna, Austria, on December 23, 1999
INDEX SONG
MEDLEY
1 White Christmas 1:24
2 Let It Snow 4:24
3 Oh Tannenbaum 6:03
4 Ay! Para Navidad 8:07
5 Tu Scendi Dalle Stelle 10:20
6 Carol of the Drum 13:05
MEDLEY
7 Ave Maria, Dolce Maria 16:54
8 Wiegenlied 19:54
9 Jingle Bells 22:13
MEDLEY
10 Children of Christmas 23:20
11 La Virgen Lava Pañales 23:30
12 I’ll Be Home for Christmas 27:40
13 Adeste Fideles 30:05
14 Cantique de Noël 33:31
15 Amazing Grace 37:48
16 Feliz Navidad 41:35
17 Silent Night 44:46
18 Pregaria 50:27
MEDLEY
19 Winter Wonderland 55:27
20 Wiegenlied 57:33
21 Sleigh Ride 1:01:57
22 Susani 1:04:00
23 Un Nuevo Siglo 1:06:29
MEDLEY
24 Dormi, O Bambino 1:10:45
25 Happy Christmas/War Is Over 1:14:20
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The Magic Flute – Queen of the Night aria (Mozart; Diana Damrau, The Royal Opera)
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Soprano Diana Damrau sings ‘Der Hölle Rache’, the famous Queen of the Night aria from Mozart’s The Magic Flute, with Dorothea Röschmann as Pamina.
Mozart wrote Die Zauberflöte (The Magic Flute) for a suburban theatre in Vienna, the Theater auf der Wieden. He drew on the magical spectacle and earthy comedy of popular Viennese theatre. As well as being a comedy, The Magic Flute is an expression of Mozart’s profound spiritual beliefs: Enlightenment concerns with the search for wisdom and virtue are at the heart of this enchanting tale. The Magic Flute was an instant success with audiences and Mozart’s supposed rival Salieri described it as an ‘operone’ – a great opera.
David McVicar’s classic production embraces both the seriousness and comedy of Mozart’s work. The audience is transported to a fantastical world of dancing animals, flying machines and dazzlingly starry skies. The setting provides a wonderful backdrop for Mozart’s kaleidoscopic score, from the Queen of the Night’s coloratura fireworks to Tamino and Pamina’s lyrical love duets and Papageno’s hearty, folksonglike arias.
The Best Of Opera – Maria Callas, Luciano Pavarotti, Natalia Margarit, Patrizia Chiti
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THE BEST OF OPERA
1. Norma: \”Casta Diva\”
Antonino Votto, Orchestra del Teatro alla Scala di Milano, Maria Callas
2. Il trovatore: \”Condotta ell’era in ceppi\”
Opole Philharmonic Orchestra, Silvano Frontalini, Patrizia Chiti
3. Turandot: \”Nessun dorma\”
Orchestre de Paris, Leone Magiera, Luciano Pavarotti
4. Don Carlos: \”O’ Don Fatal\”
Opole Philharmonic Orchestra, Silvano Frontalini, Patrizia Chiti
5. Il trovatore: \”Tacea la notte placida\”
Orchestra del Teatro Alla Scala di Milano, Maria Callas, Antonino Votto
6. Gianni Schicchi: \”O mio babbino caro\”
Rai Symphonic Orchestra, Tullio Serafin, Maria Callas
7. La traviata: \”Ah, forse è lui. Sempre libera\”
Orchestra del Teatro Alla Scala di Milano, Maria Callas, Carlo Maria Giulini
8. Tosca: \”E lucevan le stelle\”
Orchestre de Paris, Leone Magiera, Luciano Pavarotti
9. Pagliacci: \”Vesti la giubba\”
Orchestre de Paris, Leone Magiera, Luciano Pavarotti
10. La favorita: \”O mio Fernando\”
Opole Philharmonic Orchestra, Silvano Frontalini, Patrizia Chiti
11. Rigoletto: \”Caro nome\”
Tullio Serafin, Orchestra del Teatro alla Scala di Milano, Maria Callas
12. Lucia di Lammermoor: \”Spargi d’amaro pianto\”
Berlin Rias Symphonic Orchestra, Herbert Von Karajan, Maria Callas
13. La Pace di Mercurio: \”La Pace di Mercurio\”
Opole Philharmonic Orchestra, Silvano Frontalini, Patrizia Chiti
14. Maruzza: \”Ei viene\”
Dnepropetrovsk Philharmonic Orchestra, Silvano Frontalini, Natalia Margarit
15. Luisa Miller: \”Quando le sere al placido\”
Orchestre de Paris, Leone Magiera, Luciano Pavarotti
16. Tosca: \”Vissi d’arte\”
Victor De Sabata, Orchestra del Teatro alla Scala di Milano, Maria Callas
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