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Important Chords of the Dorian Mode | You can find all the song chords here
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Important Chords of the Dorian Mode
Important Chords of the Dorian Mode and information related to this topic.
Andrew Wasson of Creative Guitar Studio answers questions from off of his Guitar Blog website…
Q). I’m trying to develop the Dorian Mode right now. However, I’m having a lot of problems deciding which chords in Dorian’s harmony work the best to bring out its character. The one I’ve read of, is the fourth chord of the Dorian key. And, by using it as a Major chord, Dorian works well. But, there must be others. So, can you cover this in a lesson for viewers? Thanks Andrew!
Scott G. — San Francisco, CA. USA
A). The chords found within a modes harmony are the key factors to its overall use and its application. By composing the most stable chord progressions with chords that will bring out the modes character, you’ll have the best situations for jamming in (and for getting as good as you can be at using the mode). In the video I cover some of the best chords that can be applied within Dorian chord progressions. The chords discussed in the lesson will bring out the color of the mode when composing melodies, or when performing improvisation.
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Important Chords of the Dorian Mode.
another in the fire chords.
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Love this ! Just what the guitar patient needed ! Simple but sooo fun to play around with. I've always liked Dorian but this gives me a better sense of how to apply this mode. Thank you Andrew !
I'd once asked a Berklee grad his thoughts on what draws players to feel most comfortable with a given mode….. certain players can be associated with certain modes that generally define their style….. in the way that "mode" can be synonymous with "mood":
Joe Satriani/Lydian, Al diMeola/Phrygian, Jerry Garcia/Mixolydian, etc. My topmost influence since 10 yr old 50 years ago was Carlos Santana/Dorian. So I ask the Berklee grad "I wonder what it is in us that…. well, I clearly feel like I can sail with Dorian mode songs…." His reply "….. 'cuz you can't make any mistakes!" HMMMM….. I STILL wonder what his intent was…..
Thanks! This really helped me pin down where the Dorian scale is.
Amazing lesson dude thanxxxxx
Mah!!!
in dorian 3b and 7b ….I played in my guitar ….but it is little bit different
Good stuff. I followed along on keyboard
this guy rules
Mr Bean plays guitar!
way too difficult for me so far! but… i wrote like two new songs inspired by this tutorial and your guitar so beautiful
thanks andrew
Fuck Scott G
I really like the dorian, it's kind of dreamy to me or something.
I thought at the very beginning that they were filming a garage with extra large equipment and props lololol
I would have been helpful to know what key you started in. It's above me I'm afraid. Beautiful music, incomprehensible to me
Brilliant!!!
This info is great, but damn you go fast for us mortals! Fortunately I can pause, rewatch, etc, and now I (almost) understand it. Cheers!
don't
stop
beautiful material,well explained!
Thanks, dorian mode is one of my favourites. Really nice clean guitar tone btw it fits well.
do you always have to have the mode root as the bass ? so if I play a G dorian, i can't the root? otherwise it will change mode or what ?
Hello Andrew. May I ask please? What software are you using to add notation and graphics to your screen? Thank you.
b dorian is over a b minor seven , with the same notes over other bass , it is not dorian.
meanwhile , serious lesson for intermediate players…..
Thx for this – excellent
Merry Christmas from England 🙂
Beautiful and informative.
Wow, Mr. Wasson, you're an amazing teacher and a wonderful player! Cheers!
Hi Andrew, can I pls mention a couple of things:
at 8:34 chord diagram includes no #11 (no lydian), but a regular 4.
Also, instead of converting business talk that is "mystical" for beginners and I don't get it either, one can simply think like this:
First progression is: ii vi I (C is the second degree of B flat major scale)
Second progression is: ii vi V (from A major scale)- no need to think of any conversions and there is no key change
Third progression: ii I Vvi- (same A major scale) no key change all diatonic
I am not criticizing, as a beginner I would immediately give up had I not known that B is ii of A and E is V of A and so on.. Thank you!
thank you very much for the explanation, was of great help.
Greetings from Argentina
thank you very good lesson …. or you can get your work this method could you send me the link
Could somebody please explain, or point me in the direction of a lesson to explain, the part where he talks about converting the quality of the 4th chord from minor to major? I'm really interested in the basics of this concept, and this lesson was pitched a little to high for me at this stage. I enjoyed the lesson anyway, thank you Mr Wasson.
WOW talk about answering someone's question thoroughly.
Andrew your lessons are really amazing mate , eeem so man i'm really not fan of music theory but i can play some notes and i really need you to show me how duane allman / dickey betts got that wicked sound on whipping post / les bres / hot lanta / elizabet reed.
thank you so very much again ☮
Hi can you use D dorian in C major??? Since it is the second degree of the major scale
Another great lesson. Thanks Andrew.
One of your best yet Andrew , keep it up ! From Ireland
Thank you for sharing your vast knowledge with us. I always leave your lesson with some new knowledge!
Hi, don't know why, but there is something very "Hawaiian" about the melodies you made with the 6 & 13. Does it relate to the way lap guitars may be tuned. Ah the beach, the sun, the sound of the breakers on the shore! I will hear Dorian in a new way now. Thanks.
Ummm isn't the chord in the first example useing a major 6 not a minor 6..I mean last I checked minor 6 six chords don't have tritones in them rite…