Table of Contents
Pergolesi Stabat Mater (Anna Netrebko, Marianna Pizzolato) HD
นอกจากการดูบทความนี้แล้ว คุณยังสามารถดูข้อมูลที่เป็นประโยชน์อื่นๆ อีกมากมายที่เราให้ไว้ที่นี่: ดูความรู้เพิ่มเติมที่นี่
Giovanni Battista Pergolesi Stabat Mater
Anna Netrebko, soprano
Marianna Pizzolato, Mezzosoprano
Sächsische Staatskapelle Dresden
Bertrand de Billy, Conductor
Franz Joseph Haydn The Seven Last Word of Our Saviour on the Cross (1786):
00:00:53 L’Introduzione
06:35 Sonata I
13:00 Johann Sebastian Bach St Matthew Passion: \”Erbarme Dich, Gott\” (1727)
(Marianna Pizzolato, mezzosoprano)
20:50 Giovanni Battista Pergolesi Stabat Mater (1736):
Stabat mater dolorosa
Cuius animam gementem
O quam tristis et afflicta
Quae moerebat et dolebat
Quis est homo, qui non fleret
Vidit suum dulcem natum
Eia, Mater, fons amoris
Fac, ut ardeat cor meum
Sancta Mater, istud agas
Fac, ut portem Christi mortem
Inflammatus et accensus
Quando corpus morietur Amen
(Anna Netrebko, soprano
Marianna Pizzolato, mezzosoprano)
»Passionsmusik aus der Dresdner Frauenkirche«
Frauenkirche Dresden, Saturday 27. November 2010
Filmed at the beautiful Dresden Frauenkirche, this concert features Anna Netrebko, Marianna Pizzolato and the Sächsische Staatskapelle Dresden conducted by Bertrand de Billy. Stabat Mater was written in 1736 by Giovanni Pergolesi (17101736), and quickly became the became the most frequently printed musical work in the 18th century. The program also includes The Seven Last Word of Our Saviour on the Cross by Joseph Haydn and St Matthew Passion by J.S. Bach.
Stabat mater de Gioachino Rossini Direction Antonio Pappano
Ce Stabat Mater de Gioacchino Rossini (17921868) a été capté au Festival de Salzbourg. L’œuvre réunit quatre solistes, un chœur et un orchestre. Les solistes sont Anna Netrebko (soprano), Marianna Pizzolato (mezzosoprano), Matthew Polenzani (ténor) et Ildebrando D’Arcangelo (basse). Le Chœur et l’Orchestre de l’Académie nationale SainteCécile sont dirigés par Antonio Pappano. « La voix de Netrebko fusionne dans un excellent quatuor » (Salzburger Nachrichten). Antonio Pappano rend justice à l’œuvre de Rossini, un ouvrage dramatique, chargé de solos et d’ensemble vocaux.
Palestrina | Stabat Mater [The Cardinall’s Musick]
Sequence for eight voices at the feast of the Blessed Virgin of the seven sorrows
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Dvořák: Stabat mater – Harnoncourt 2012
Antonín Dvořák: Stabat mater
Luba Orgonášová, soprano
Elisabeth Kulman, alto
Saimir Pirgu, tenor
Roben Drole, bass
Arnold Schoenberg Choir
Chamber Orchestra of Europe
Nikolaus Harnoncourt, conductor
Graz, Stefaniensaal, June 30, 2012 styriarte
Website: http://www.elisabethkulman.com
Facebook: https://www.facebook.com/ElisabethKulman/
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Stabat Mater Vivaldi
The film covers the final 12 hours of Jesus’ life, beginning with the Agony in the Garden and ending with a brief depiction of his resurrection. Flashbacks of Jesus as a child and as a young man with his mother, giving the Sermon on the Mount, teaching the Twelve Apostles, and at the Last Supper are some of the images depicted. The dialogue is entirely in reconstructed Aramaic and Latin with vernacular subtitles.
The film was a major commercial hit, grossing in excess of $600 million during its theatrical release, becoming the highest grossing Rrated film of all time.[6] The film has also been highly controversial and received mixed reviews, with some critics claiming that the extreme violence in the movie \”obscures its message.\”[7][8][9][10] Catholic sources have questioned the authenticity of the nonbiblical material the film drew on.[
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