The Best Chords For Modal/Exotic Scales | Music Theory Q+A | good old days chords | Website providing Australia’s #1 song chords

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The Best Chords For Modal/Exotic Scales | Music Theory Q+A

The Best Chords For Modal/Exotic Scales | Music Theory Q+A


The Best Chords For Modal/Exotic Scales | Music Theory Q+A and information related to this topic.

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00:00 Could you suggest some music theory books to start with?
00:58 Negative Harmony: how did you arrive at half diminished from the G7?
03:30 Why choose these chords to flesh out a Dorian flat 2? Is that in the manual?
06:00 Where do scales that share ethnic names accurately derive from?

When I was a child, I was a royal pain in the B.

I still am.

(“Are you still a pain in the B, or are you still a child?” Both of course!)

See, I could not leave my parents alone for a moment because I was always asking questions about anything and everything.

Yes, I know it’s normal for kids to ask “why” for every little thing, but I was taking it to another level.

Whenever my parents answered my “whys?” with a “because!” (like every parent does when they are exasperated)…

… I retorted “this is not a proper answer” 🙂

(Don’t worry, I’m being punished for this. My daughter seems to have inherited that very same behavior…)

Until the day my mother tried to divert my relentless onslaught by answering me: “Because… because it’s written in the book”

That stumped naive-7-year-old-me at first…

… but after a moment I asked: “ok… mmmh… but the people who wrote the book… how do THEY know?”

Reportedly, my father nearly chocked on his coffee while laughing.

The point is: it’s not a question of authority… I just want to know why 🙂 (and precisely how, and where, and when…)

And many kids are like that… and this is why these kids learn faster than adults 🙂

So imagine my reaction when I read this comment on my YT channel the other day:

“Why choose these chords to flesh out a Dorian b2? Is that in the manual?”

Forget for a moment the Dorian b2… the important point is not what scale or what chords…

… the ‘problem’ is the “in the manual” part.

When we go from “Why?” to “Is that in the manual?”… then the learning stops.

(To be clear, I do not blame the commenter – I blame the educational system that teaches people to ‘give the right answer to the test’ rather than ‘to find out why’)

So here in this video I explain why some chords in a scale are ‘better’ than other chords in a scale and why. And you can apply this to any scale

In this video we also answer:

– Could you suggest some music theory books to start with?
– Negative Harmony: how did you arrive at half diminished from the G7?
– Where do scales that share ethnic names accurately derive from?

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Keywords related to the topic The Best Chords For Modal/Exotic Scales | Music Theory Q+A.

#Chords #ModalExotic #Scales #Music #Theory.

chords in a key,chords in a scale,chords in a scale guitar,chord scale relationships,negative harmony,ethnic scales guitar,music theory for guitar,tommaso zillio.

The Best Chords For Modal/Exotic Scales | Music Theory Q+A.

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16 thoughts on “The Best Chords For Modal/Exotic Scales | Music Theory Q+A | good old days chords | Website providing Australia’s #1 song chords”

  1. Reply to this comment with your questions!

    00:05 Could you suggest some music theory books to start with?
    00:58 Negative Harmony: how did you arrive at half diminished from the G7?
    03:30 Why choose these chords to flesh out a Dorian flat 2? Is that in the manual?
    06:00 Where do scales that share ethnic names accurately derive from?

  2. You explain difficult concepts well! I appreciate your videos! I recently wrote something in dorian b4 and found it challenging. Any chance you can make a video on this scale?

  3. I really enjoyed the discussion around the possible origin of different scales, and that while they might concern the same notes, they are often used very differently across musical traditions!

  4. I used to use negative harmony not as pattern of exchanging notes in inseparable pairs (for instance C with G), rather as a connection of two intervals (i with v, minor with major third etc) so in Em->E as well as A frigian scale ->A lydian. And i see far more properties by using this way. Whats are your thoughts about it Tomasso?? Greetings from Poland!!

  5. (1) Re "… but after a moment I asked: "ok… mmmh… but the people who wrote the book… how do THEY know?" ": This is actually my argument against the Ancient Alien Theory. Supposedly we humans were too dumb to figure out agriculture, mathematics, etc., so we were taught by visiting aliens. But then, how did they find it out? Did (even more) ancient aliens visit *them*? Eventually, someone(thing?) had to be clever enough to figure it out on their own, or else someone from outside the Universe told them …

    (2) "I blame the educational system that teaches people to 'give the right answer to the test' rather than 'to find out why'." I agree 10^10^10^10 % on this. Common Core stinks. (I teach math at the college level, and I need to get people to start thinking creatively again.)

    (3) I expected your answer to question #1 (a book on theory) to be "buy my book." I was close. 😎

    (4) The ethnic names of the scales are just something to call them. You can describe a scale by encoding it as a number between 0 and 2047. (In one system, the major scale ends up being 1370 and the minor scale 362.) Something similar happens with the names of the augmented 6th chords.

  6. I'm looking at my circle of fifths poster on my wall, and I'm surprised I didn't realize that the axis of negative harmony in the way you describe is based off of that. That itself is really useful I think.

  7. The sound of the video was not synced up, at least for me, but it's still good to know that I understand all this.

    I watched a video on structures of ancient Lydia, so I commented "oh those Lydians and their augmented fourth"…but the channel operator is Russian and seemingly not a musician, so I hope my joke fares better here. 🙂

    Thanks, as always, TZ!

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