7 Chord Progressions That Changed Music History | Guitar Lesson | good old days chords | Website providing Australia’s #1 song chords

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7 Chord Progressions That Changed Music History | Guitar Lesson

7 Chord Progressions That Changed Music History | Guitar Lesson


7 Chord Progressions That Changed Music History | Guitar Lesson and information related to this topic.

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0:00 – Intro

Music is constantly moving forward and musicians are always taking inspiration from the masters of the past to discover new ways they can innovate. In this lesson, Ayla Tesler-Mabe discusses seven of those chord progressions that changed musical history.

1:14 – #1: The Simpler The Better

Also known as the 1-4-5 chord progression, it ruled over most of the blues, rock & roll, soul, R&B, & Doo-wop music.

3:19 – #2: Tell A Story

Also known as the ‘50s chord progression (being as it dominated the sound of the ’50s), this is the 1-6-4-5 progression.

4:55 – #3: Pop Song Formula

The 1-5-6-4 progression although implemented in a lot of pop music, it’s such a testament to changing music history because of how commonly used it is.

6:07 – #4: Jazz Progression

The 2-5-1 chord progression can be jazzed up using 7 chords.

7:54 – #5: Take Me Out + Bring Me Back

Its name refers to modal interchange, which sounds scary, but all it means is you’re adding a chord to the progression that is outside of the key you’re playing in and coming back to a chord that does belong in the key.

10:46 – #6: Endless Emotion

This progression creates emotional depth for the listener by taking the 1 to 6 movement and moving it up a minor 3rd.

13:54 – #7: Lift Me Up

More of a technique than a progression where you take a chord progression and keep moving it up, transposing it by a semi-tone to rise the drama of the song.

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47 thoughts on “7 Chord Progressions That Changed Music History | Guitar Lesson | good old days chords | Website providing Australia’s #1 song chords”

  1. I just recently discovered this channel and she has quickly become one of my main go to teachers. She is incredibly knowledgeable and has the ability of sharing that knowledge making it easy to understand. She is a natural when it comes to teaching.

  2. Excellent video!!! A good song with the I vi IV V progression is Heart and Soul. I think from the 1930s. It's also that cool duet on the piano. Anyway excellent video especially the last example, way cool!

  3. the 1, 4, 5 progression is basically the notes of a “sus4” chord..

    Csus4 notes are – C, F, G

    the 1, 4, 5 progression is also the Primary Chords of that specific key too

  4. I love how unpretentious she is, considering how good she's at playing, how much she recognizes her struggles and limitations during her learning process, and how approachable she sounds. I'm not dissing other female guitar players in YouTube, but she doesn't have that "pretty-face, slightly casual-yet distant, diva-pose, virtuoso female player".

  5. Great lesson. Thank you. I got a little lost with 6 and 7 because you stopped using the chord progression numbers (e.g., 145, 251, etc.).

  6. She's REALLY gifted! What she can do at such a young age and her maturity is not something one can simply learn with practice. Hence, the definition of giftedness.

  7. My wife just loves your channel ma'am, she watches it whenever she can. Always raves about it to me and her friends. Drives me a little crazy to be honest. But having seen this I have to say this is a very good channel ma'am, very good indeed.

  8. Just found your channel via this video. Thanks for sharing your musical talent! Brian Wilson..Stevie Wonder… amazing…
    Edit: I just realized, I've marveled at you before… I just didn't recognize you with different hair color. You're a ray of sunlight on YouTube.

  9. You look like if Jimmy Page had a sister – that's meant as a compliment. The best part I like about progressions is that you can start with any chord and lead it into any chord, if you don't mind leaving the diatonic realm. That's when the number of possible expressions and directions become endless. 

    We ended up with certain progressions dominating the music scene because music producers wanted to play it safe by sticking with a few easy formulas that emulated some other popular song that SOLD. All this did was tremendously dumb down music development. Neither the song writer or the audience hears anything really new – it's just the same thing rehashed over and over. That makes for short songs with dull themes designed to appeal to untrained ears for profit only. It meets with the current generations attention span. Music should tell a story because music is language first and foremost – it, like the human voice, is immensely variable in its expressions.

    There are, of course, outstanding music composers who write popular songs that don't follow the crowd. Buckethead is a good example of someone who you never know what he's going to come up with next. And there are others.

  10. Great, great video and informative. Speaking of modulating to another key, My Girl by the Temptation circa 1964 is another great example. Thanks for sharing that Beach Boy tune Warmth of the Sun. Excellent.

  11. Just curious how you like the Fender Acousticsonic type of guitars? I am considering purchasing one. I kind of like the Jazzmaster rather than the Tele or Strat models.

  12. I have been playing a long time, and still learned a LOT from this video. Thanks, great teacher who knows what she's talking about and explains it well.

  13. Couldn't make it through the whole video – the tone on that Acoustasonic is terrible. Not sure if its the guitar, mic, amp, reverb, or all the above. Anyone else have a better experience with one?

  14. "Baroque Progression/Pachelbel's Canon":
    I – V – vi – iii – IV – I – ii – V
    Basket Case, Don't look back in anger, Streets of London, Go West and many more…
    It comes from classical music (the famous baroque hit Canon in D). Watch out for variations on the last two chords.
    This is a important one!

    Good Video ✌

  15. Your really good and youve helped .but to a beginner they have no clue thatthe root on the 8th fret a string makes this an f major. I got frustrated for a seccond too till i looked on my handy dandy poster. Im not saying you do this but ive seen ads saying basic theory is boring and not worth it. But iit is. Unless u want to stay on the first 4 frets

  16. One last comment you said bar chords yes it's better to learn chords that way but if I can play open Strings with a song they sound more full in my humble opinion . Alex Lifeson once said he played a lot of chords with open Strings because them , Rush being a trio he wanted as full sound as he could get I mean a E chord G A minor I always try to play at the end of the neck but then again with some chorus effects a little delay I guess it really doesn't matter that much as long as the intonation is good and your chords sound good everywhere on the neck which I've noticed some older guitars sound good with strings that are a year old

  17. Its nice for a change to find a guitar person that isnt all in your face RnR yeah yeah. As a woman i find it refreshing to see another woman teaching thank you for the help. Oh yeah rock on. Lol

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