Bill Evans Chords: A Tutorial on their Voicing | how far i’ll go chords piano | #1 song chords

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Bill Evans Chords: A Tutorial on their Voicing

Bill Evans Chords: A Tutorial on their Voicing


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Here’s a quick look at how Bill Evans tended to voice his left hand jazz piano chords: usually rootless, with higher degrees. I’ll also share some of Evans’ “classic” voicings, like his voicings of minor 11 or dominant 13th chords. Overall, this video should give you general ideas on how voice these chords in context and into the style of Bill Evans as a whole. I hope you enjoy!

Added Dec 4, 2018: One of the viewers, X YZ, has notated the chords using the online Muse service which is free for all. He has kindly shared the link to his work:

Thanks X YZ, on behalf of myself and the viewers!

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Bill Evans Chords: A Tutorial on their Voicing.

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44 thoughts on “Bill Evans Chords: A Tutorial on their Voicing | how far i’ll go chords piano | #1 song chords”

  1. Hi. I made a little Musescore Sheet out of your voicing tutorial. The sheet can be transposed and converted into PDF. Would you allow me to post the link of the Musescore Page on your comment section? On the Musescore Page people would find also the link to the youtube-video. Thanks again.

  2. It was useful to see these voicing and to have it explained what the underlying chords are. Are there any resources that explain some of the more general principles behind these voicings so that we can come up with our own Bill Evans style voicings?

  3. Awesome vid! I can see a bit of a classical music influence in Bill’s chords. Some of his songs sound quite Satie-like and Impressionist like Debussy (good jazz-like Debussy song is Reflets Dans l'Eau).

  4. Mangold genius, Thank you so much for sharing with the world your knowledge and style and love of JAZZ. I pray that JAZZ will never die, but with new kids around who are blocked by social media bullshit, I fear we need to keep JAZZ breathing. I will watch this video many times. You are really a star of JAZZ in these dark days amigo!!! LB

  5. So… basically… avoid the fundamental most of the time, create intervallic variety (4ths and 2nds are friends), be close to the melody so when you play the bass it will sounds warmer, use very few notes most of the time and use spicy extensions… Right?

  6. Fantastic tutorial, really gets the mood of Bill Evans!

    I was wondering if you would be so kind to do a Bill Evans re-harm of a song such as YESTERDAY from the Beatles? The harmony is pretty straight-forward and gives room for some interesting rootless combination of chords, would be fantastic to have your view on this!

  7. Thanks for the great video! May I ask: which keyboard/piano sound you are using? I am looking for a viable but simple alternative to an upright piano, which had up to a couple years ago but can no longer have. I am thinking something that allows for home practice but that can be moved around for teaching (I also teach piano) or gigging (although this is of the least importance). Thanks!

  8. Great video! Was interesting to try and understand some of the nuances used by the great Bill Evans. I also noticed, that the first chord you play in your arrangement, is just like the one they (Bill Evans trio) start "gloria's step" with

  9. Hi, MangoldProyect!
    I really enjoy your videos!!

    Could you please help me?
    I have the digital piano Yamaha PC4 Stage (which has midi connections) and I want to connect my keyboard with the Chordie App. that you mentioned, by using a USB to MIDI connector, but it doesn't work.
    I have followed all the steps, but It does not work.

    Thanks in advance!

  10. A common voicing I also noticed Bill Evans Used, is to stack fourths. If we had a notation to stack fourths, maybe like a q for qartal harmony, it would be posible to simplify a lot of voicing. For example at 7:15 the F min 7 (11), it could be C q 4/ F. Meaning that you stack four fourths with the root of F.

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