Gospel Piano Tutorial – #9#5 Dominant Chords | a team piano chords | #1 song chords

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Gospel Piano Tutorial - #9#5 Dominant Chords

Gospel Piano Tutorial – #9#5 Dominant Chords


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Gospel Piano Tutorial – #9#5 Dominant Chords.

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13 thoughts on “Gospel Piano Tutorial – #9#5 Dominant Chords | a team piano chords | #1 song chords”

  1. I think for my mind I would say that the individual notes of the first chord… I would look for somebody to write Db2 with F&A in the bass. But I understand that that would not show me the concept of what tone to make necessarily in whatever key. But my brain does not think about chords that way for some reason. I will practice it.

  2. Thank you so much! This is a great video! I am a female musician and I am determined to keep sharpening my craft. This kind of great material speaks to those of us who came out of the music game due to life (having kids, etc) but are still musicians to the core of our hearts. God bless you for sharing.

  3. Why the hell do you call it dominant #9 #5? This is a dominant #9 b13! That note is truly a Db and not a C#. And NO, IT'S NOT THE SAME. The spelling of the dominant chord often suggests the voice leading. In the case you mentioned, which is very typical for gospel, R&B, etc, the Db resolves into a C, which would be the 9th of your vi chord, your Bb-9. You would call it dominant #5 if you had a C# that resolved onto a D in the next chord, but it's very unlikely to have BOTH the b9 and the #5 because of the voice leading. It would sound very weird.

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