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Jazz Piano Tutorial – Passing Chords and Approach Chords | You can find all the song chords here
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Jazz Piano Tutorial – Passing Chords and Approach Chords
Jazz Piano Tutorial – Passing Chords and Approach Chords and information related to this topic.
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This Jazz Piano Tutorial is about passing chords. I describe what they are, how they are used, why they are used and go through a number of examples of types of passing chords you can use.
Passing chords are literally that, chords that you pass through. They are chords that are not important to the harmony. They can be inserted at any time after the first beat of a bar, which is usually the non-passing important chord. Passing chords are often used just before a chord change.
A specific type of passing chord is called an approach chord. This is a passing chord that is either 1 or 2 semitones away from the next chord.
Below is a quick recap of the lesson:
Chord Prog – | C | Dm |
1 Tritone (of past chord) – | C Gb7 | Dm |
2 Tritone (of future chord) – | C Ab7 | Dm |
3 Diatonic – | C Em | Dm |
4 Approach #1 (semitone) – | C Db7 | Dm |
5 Approach #2 (semitone) – | C Eb7 | Dm |
6 Diminished #1 – | C Dbdim7 | Dm |
7 Diminished #2 – | C Ebdim7 | Dm |
8 Dominant – | C D7 | Dm |
9 Secondary V – | C A7 | Dm |
10 Secondary II, V – | C Em7 A7 | Dm |
As an example of a passing chord, I use the song ‘All of Me’
Basic Chord Progression
C7 | C7 | E7 | E7 | A7 | A7 | Dm7 | Dm7 |
E7 | E7 | Am7 | Am7 | D7 | D7 | Dm7 | G7 |
With Passing Chords just before each chord change
C7 | C7 Dm7 | E7 | E7 Bb7 | A7 | A7 Em7b5 A7 | Dm7 | Dm7 D#dim |
E7 | E7 Bm7b5 | Am7 | Am7 Ab7 | D7 | D7 Ab7 | Dm7 Ddim | G7 Db7 |
With Passing Chords ever half bar
C7 C#dim | Dm7 D#dim | E7 CM7 | Bm7b5 E7 | A7 Ab7 | A7 G7 | Dm7 C#dim | Dm7 D#dim |
E7 F7 | G7 G#7 | Am7 E7 | Ab7 Eb7 | D7 D#dim | D7 Em7b5 | Dm7 Ddim | G7 Db7 |
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Keywords related to the topic Jazz Piano Tutorial – Passing Chords and Approach Chords.
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Jazz Piano Tutorial,Jazz Theory,Passing Chords,Approach Chords,Jazz Chord.
Jazz Piano Tutorial – Passing Chords and Approach Chords.
how far i’ll go chords piano.
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All of me is a great tune to master, the swing feel in every notes.
This is very helpful once you understand music theory. Thank you.
What a great tut! Probably the best I've seen! Thank you! 👏👍
I see you haven't used half dim. Chords, any reason? Thanks.
Thanks a lot for that!
6:37 isn't the seventh of an Eb7 chord a D and not a Db? (assuming we are in the key of Eb7)
Interesting course. Try to improve the quality of the sound of your vids. Almost painful for our ears
I've been really enjoying watching your videos for the past few days, and I'm learning a lot! Thanks so much for your clear and interesting explanations 🙂
I have a question: in this video you explain about passing chords from a major 7 chord to a minor 7 chord. Would anything be different if we were to pass from a minor chord, or to a major chord (or both)? Would anything change if the origin or target chords were in a different form, like dominant 7, diminished, etc.?
great vid
I have tried all you options and I have to say that they all work for me with the second (in this case) Dm … but that doesn't happen with other degree for example Em.
Fantastic teaching and i like your summary slides in your tutes I’m sure you went to university and understand how helpful and beneficial a summary slide can be 😉thnx heaps mate
Thank you 🙏
Welcome to jazz, where you’ll never find a chord with less than four notes…
Excellent explanation… Very useful while designing songs.. Superb !
fuck….666th like
Wow!! it is the best video on this subject that I have seen, that is very easy to understand , and with your demonstration with All of me , it can not be more clear, it's a lesson of great value. thank you very much to share it. 🙂
I'm sure you're an awesome pianist but your piano needs tuning. Thanks for your content.
When you put in the passing chord does that change how long you play the original chords to the right or left of it so that it still fits into, for example,a 4/4 time signature?
I just want to say that I really appreciate you posting full tutorials with clear theory rather than trying to sell a contrived "system" and DVD sets like so many jazz and gospel channels on YouTube do. This video has so many great ideas that will improve my playing and composition.
This is a great video but I have a question. What is the harmonic logic of example #1? It works in this case when the next chord is a whole step above the previous one and it would probably work when the next chord is a half step below the previous one (in this case it would lead to some type of B chord), but would it work in all cases? I just don't see how a system that relies on the previous chord would always work since there is no information about the next chord coming up, and harmonic tension is about resolving to the next chord.
Tune the piano, please!!! It hurts 😣😣😲😵😵😵😵😵
Your videos are awesome! Very good presentation of rather complex topics straight to the point. Thank you so much for expanding my harmonic vocabulary 🙂
My world is richer now
Thank you very much , I appreciate your effort, I have a question but my english is too week to explain what I want to know so please try to get me . ( if I chose the passing chord C7 in the left hand for example and in the same time I have the note f in the melody or the right hand as I learned from you the note f is avoid note with C7 in this case what can I do ? is it ok to play f with c7 because it is passing chord ? Or I should change the type of passing chord to be fit with the melody ??? Thank you again for your effort 🙏🏻
at 4:18 what is the theory behind using the tritone substitution for C7 as a passing chord to get to the Dminor??? I know if we use a C7 or C9 we can use the Gb7 as a substitute for those chords but i don't get why your using the Gb7 as a passing
The content is top notch, unfortunately the piano tuning hurts my ears.