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C#m0              E1             A2 
0You’re the only one that I’ve got 
                 C#m3       E4 
1But I can’t get lost in you 
             A5 
2I can’t get lost in you 
   C#m6         E7      A8 
3It can be someone I know 
           A9       
4To make it up to you 
5        
6Make it up to you 
7 
8Interlude: 
C#m10 B11 A12   x2 
9 
          E13 
10You’re undiscovered 
E/G#14              A15 
11I wanna see the rest of you 
             E16 
12I can’t get next to you 
E/G#17           A18 
13I can’t get next to you 
14 
C#m19               E20      A21 
15You don’t wanna look ahead 
                   C#m22 
16When it’s staring back at you 
E23        A24 
17Staring back at you 
18 
19Interlude: 
C#m25 B26 A27   x4 
20 
    G#m28 
21It’s evident that you never were fully person 
22In a composition 
F#m29 
23Holding in what you really want 
24Left no evidence that you were listening 
25 
26It’s evident that you never were fully person 
27In a composition 
28Holding in what you really want 
29Left no evidence that you were listening, you were listening 
30 
31Outro: 
E30 E/G#31 A32   x2 

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C#m0              E1             A2 
0You’re the only one that I’ve got 
                 C#m3       E4 
1But I can’t get lost in you 
             A5 
2I can’t get lost in you 
   C#m6         E7      A8 
3It can be someone I know 
           A9       
4To make it up to you 
5        
6Make it up to you 
7 
8Interlude: 
C#m10 B11 A12   x2 
9 
          E13 
10You’re undiscovered 
E/G#14              A15 
11I wanna see the rest of you 
             E16 
12I can’t get next to you 
E/G#17           A18 
13I can’t get next to you 
14 
C#m19               E20      A21 
15You don’t wanna look ahead 
                   C#m22 
16When it’s staring back at you 
E23        A24 
17Staring back at you 
18 
19Interlude: 
C#m25 B26 A27   x4 
20 
    G#m28 
21It’s evident that you never were fully person 
22In a composition 
F#m29 
23Holding in what you really want 
24Left no evidence that you were listening 
25 
26It’s evident that you never were fully person 
27In a composition 
28Holding in what you really want 
29Left no evidence that you were listening, you were listening 
30 
31Outro: 
E30 E/G#31 A32   x2 

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