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“Play so that no one recognizes what you are playing.” | Arie Vardi on Chopin’s Polymelody | You can find all the song chords here
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“Play so that no one recognizes what you are playing.” | Arie Vardi on Chopin’s Polymelody and information related to this topic.
Chopin was not only one of the great melody writers in music history, he had a knack for combining multiple memorable melodies within a single texture. Mentor to several of the current generation’s top young pianists – including Yundi Li, Beatrice Rana, and Yeol Eum Son – Arie Vardi reveals the magic of Chopin’s “polymelody” in the B-flat minor Mazurka, Op. 24 No. 4 and the B minor Sonata, Op. 58.
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“Play so that no one recognizes what you are playing.” | Arie Vardi on Chopin’s Polymelody.
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When I was studying piano, they were called "inner" voices. Rachmaninoff was the king in his compositions.
If you play Chopin vertically, like a hymn or a chorale, you're doing it wrong. It's not Bach. But if you divorce Chopin from dance, without a trustworthy heartbeat pulse, you're also doing it wrong. It's not Debussy.
Chopin is between a metronome and gusts of the wind.
I have never heard anyone break down things in that way, but that seems like the most natural way to understand music.
Teacher of extraordinary pianists! Here’s why…
I am not a chopin expert, i can play only a couple of nocturnes, waltzes and preludes by him. However, listening to talks like these and understanding his muisc in more detail adds purpose to life. I will try to play a mazurka now.
If I want to hear dull and uninteresting melodies, contrapuntal or not, I'll listen to my own music.
Right – there are a million ways to play the passage, none of which is the way THE MASTER COMPOSER intended.
Going into this, I was thinking, "What do you mean, play unrecognizably? Pretty much anyone can do that," and I have to admit I am kind of attached to playing "top voice", but I also like how Maestro Vardi advocates bringing out different voices as alternating leads. By the time the title came up in his explanation, it made perfect sense.
Hey how about adding a few trumpets to that inner voice? I really feel that it needs to be announced for the entire world to hear.
Chopin…….wonderful Sound World…..
Amazing explanation! It makes me love Chopin even more. Thx a lot.
Great teacher. Using the imagination as much as possible.
Gracie,Maestro !
"But like in Bach, when we have two voices, there is also a third voice"
Toda, Arie!
Only Chopin can make a secondary melody sound as beautiful as the primary…
I love the way he plays the intro. Very careful first, then the crescendo and back to so soft and sweet 🙂
a lot of MEAN STUPID comments. he made a very deep observation no one else got.
i was actually improvising on my korg op6 today in that same manner. curious how this vid popped up.
What a wonderfully insightful video!
One thing listeners must know about Chopin – his two favorite composers for study and listening were Mozart and Bach. Late Chopin shows an extremely high degree of contrapuntal ingenuity – the 4th Ballade being a masterwork of this.
I like your approach – using opera and its characters to teach this to non-musicians is an excellent idea — the revolutions in Opera in the early to mid 19th century influenced all composers (even those who rejected it).
Great master teacher Arie Vardi. I had the pleasure to meet the maestro years ago after a beautiful lecture recital on baroque music.
Thank you for this beautifully-formulated and critically-important presentation. I remember when Gyorgy Sebok made an analogous point in Mozart’s G-Minor Piano Quartet, where he stopped us and said: “It lacks disagreement!” Without a deep understanding of disagreement, music becomes a one-dimensional, pallid shell of itself. Prof. Vardi is a great musician!
Interesting interpretation. I see this piece as a voice lesson in which the student is attempting to reach a high note and fails several times before finally attaining it. The second voice could represent the encouragement of her voice teacher.
This is some deep shit right here. I was just hoping to learn the notes