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The MOST POPULAR Piano Rhythms as Arpeggios, Accents & Block Chords | You can find all the song chords here
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The MOST POPULAR Piano Rhythms as Arpeggios, Accents & Block Chords and information related to this topic.
Learn how to play arguably the most popular Piano rhythms in a variety of techniques – Arpeggios, Accents & Block Chords. The exercise uses the popular Latin (Afro-Cuban) rhythm, Tresillo or Pop Clave
Chord Progression used is: vi IV I V
Songs which you can play include:
Shape of You – Ed Sheeran (Single Hits)
Clocks – Coldplay (Arpeggios)
Despacito – Luis Fonsi
Let me love you – Justin Beiber
Cheap Thrills – Sia
For Pianists, you have 3 exercises that cover both Left and Right-hand variations:
Single Hits
Accents
Arpeggios
Learn Chord inversions:
#tresillo #popclave #latinpiano #PopPiano #ChordPatterns #PianoRhythms
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Apologies for our audio & video quality. We feel that the lessons have improved over the years and you can learn more here:
Resources of videos for further instruction in order of the Video include:
Chord and Inversions series:
Axis of Awesome 4 Chord Song:
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The MOST POPULAR Piano Rhythms as Arpeggios, Accents & Block Chords.
a team piano chords.
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Thanks for all your support on this video! Do watch some more of our latest tutorials covering a variety of genres, music theory concepts, ear training, rhythm practice, songwriting tips and a lot more Piano! We update them regularly on this playlist for easy reference: https://www.youtube.com/playlist?list=PLrNNL05e9FT9UnPiTktveaPrye0exDY9N
A long time ago I was expecting to play pop songs but I always thought that it was not easy, but now I am so happy to watch this video. I am sure that with this excellent class no more problems with this subject. Thank you very much for sharing your knowledge and experience without egoism. I appreciate a lot. God bless you.
No words.. excellent ???
verry nice excercises – thanks a lot 😉
Wow, i tell u what. This layout is truly a big help for a beginner like me. Though we can't see our teacher's face while he talking, the only downside.
I think it would be sounding like song Esme tera ghata mera kuch nahi jaata…
I've been watching your newer videos, but this one is still very good. I have no idea what order to order to watch them. I just pick random ones and learn new things.
You have a great way to explain rhythms! You make it easy to follow for me, since counting rhythms isn’t coming easy to me, I usually just feel the rhythm but obviously I want to understand aswell what I‘m doing. To divide it into 3-3-2 was an eye opener
jason sir ,i am learning a lot from you. you are so genious and openhearted its unbelievabale.with regards goutam.
Yes… This will truly help me get that independence going syncapation
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I would say that you are an exceptional online piano teacher.
Thanks keep up the lessons
Tha-ki-ta tha-ki-ta tha-ka sounds easier, as the syllables are percussive and short. Thanks for showing different ways of using a three-note beat. The first video showed the difference between a true triplet and a 'groove' or 'swing' kind of playing. While on the piano it was about placing an accent on [usually] the first beat of a group of three notes. And on the piano, this can be louder or longer, less staccato.
I use a DAW, Cubase for recording and need to learn more about rhythm and how this fits into a devise that can both record exactly what one plays or can 'correct it' – as far as sounding mechanical, or partially bringing 'quantising' if one's rhythm is not so good. However, there is also a 'swing' element, triplets and putting both a swing percentage and triplets together.
Just before your video, I found a guy showing how to do his piano montuna. This was far more difficult than the rhythms using either whole chords or arpeggios, and a more or less syncopation or regularity between left and right. The montuna was like three rhythms. It's easier to play block chords with one hand than divide one hand into playing the montuna rhythm, that doesn't seem to have any simple regular count to it.
This is where the one-and-two-and was not so helpful, if the tutor isn't emphasising the right beat well. He said it was on the 'off beats', but it wasn't, some are on 'one' or 'three', and others on an 'and'. He had no notation either. I have neurological problems and could not remember chords, single notes, as well as note lengths etc.
The music piece I'm working on is around 114 bpm, and the montuna was either too slow for that, or too fast, if I put it in at double-time – fitting two bars into one. On top of that, I realised it wasn't really close to having 'equal – sized' notes, but notes were accented, by being loud, longer, or even with a swing, while the original piece used a 32nd note swing triplet rhythm.
So, I'm glad I came here, the 3-3-2, 6-6-4 or 3-3-3-3-3-1 etc. are more usable.
What I need to do now, is work on how to layer various percussion instruments and rhythmic orchestrations together.
I also thought i may be able to work in a montuna-like rhythm into a four beat rhythm at 114bpm. For some reason, I thought that there are Latin beats using triplet timing.
Thanks for your help. There's lots still to work out. I'd like tabla and tympani for a big band orchestration. I like dance to have a 'swing' to it.
Wow! You're the best! You've explained it as easy enough to understand!!!
great video from Africa Cameroon
Gold content
You're the Better, thanks! You have number for class of piano in latinoamerica?
WHAT IS THE SECOND ONE CALLED I HAVE BEEN WONDERING SO LONGG!!!!
This is Hollywood Died by Yellow Card, way to just rip off the melody to their song bro
What's the tool in the top left doing live midi analysis of the notes /chords?
Thank you for sharing. I can't find anyone who has explained this concept so thoroughly, clearly and succinctly. Much appreciated ?
Keep the bus running 🙂
Wonderful stuff. Thank you!
"those strange looking pad devices" ?
Great video more on the same type of subjects
Great lesson. Thanks
thank you
great video 🙂 very helpful 🙂