Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live) | gravity sara bareilles chords piano | #1 song chords

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Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live) | You can find all the song chords here

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Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live)

Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live)


Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live) and information related to this topic.

Sarah Bareilles has such an expressive voice, plus, she also has a great technique as well as awesome musical skills in general. Here’s an analysis of how she achieves this amazing sound.

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Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live).

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19 thoughts on “Vocal Coach Analysis of Sarah Bareilles "GRAVITY" (Live) | gravity sara bareilles chords piano | #1 song chords”

  1. Thanks for uploading! If you have a second, I posted a cover of 30 Seconds To Mars. As a fellow music fan, I'd love if you would take a listen. It's on my page. Hope you enjoy. Don't go too hard on me 🙂

  2. Am I alone in this? This whole video you critique in a way that we can learn so much, but your analysis would be so much better if we could hear her singing AFTER you critiqued it. PS: my first video of yours. I'm learning a lot but you're pausing too much, at least without backing up in the video a few seconds. Do you realize you have us backup up hundreds of times in this video to better understand what you're saying? I've backed up hundreds of times in this one video.

  3. I wouldn't be surprised if there are a handful of people who can match Sarah B.'s technical brilliance in singing this song. They can sing all the correct notes and add all the right flourishes. They may also be able to draw on life experiences to approximate the range of devastating emotions she conveys throughout the song.

    But ultimately this is Sarah's baby, and no one will have the same connection to the song that she has. There are a lot of great lyrics that have been written that a writer couldn't quite do justice to vocally. Then someone else does a cover and THAT becomes the memorable version.

    But "Gravity" is the rare example of a beautifully written and poignant song sung by an author with an equally beautiful and poignant voice.

    Sarah Bareilles is living proof that the greatest instrument, bar none, is the human voice. She owns this song — her song — on all levels. Especially the emotions, memories and voice that created it. This is truly soul singing.

    Why does the audience sing the second chorus? I think it's because the song resonates deeply with them, and Sarah is gracious and generous enough to share it with them. And they sung it well !! They were also wise enough to let Sarah return to have her "Doooowwwwwn!!" moment.

    In an increasingly divisive and isolating world, where loneliness is also a pandemic, that interaction is a beautiful thing. I'm sure that in this COVID-19 era many performing artists are missing such moments of connection.

  4. Hi, Im from India. I have watched few of your videos about vibrato. I have had vibrato, even before I started practicing indan classical music. Right now, when I go higher and higher my voice vibrates too much and I start sounding like Edith piaf. My vocal range starts from G2 and it goes up to D5. Now, would you be able to tell me if that's natural, or if it has to be worked on, or if I have to start singing from my head voice? I'm little puzzled about this.

  5. I like this song and this performance. I've heard the song before but not Bareilles. My first impression is that she seems "comfortable in her own skin" and so with her singing voice. She is relaxed, but works to get the song across as needed. I like how she reacted to the audience joining in, which I hate btw. She let them go for awhile but then came back in gently but decisively to cue them off. Analysis of Eva Cassidy, Over the Rainbow, would be nice.

  6. I had to pause Freya and check out the actual video – incredible – I was going to say she reminds me a little of Ricki Lee Jones/Judie Tzuke but she's probably even better than they were back in the day.

  7. Hello Freya from a singing teacher in Australia Melbourne. This is one of my favorite songs to sing, so deep and emotional. You've analysed this song perfectly.
    There is so much to unpack. Sarah has this ability to connect emotionally and interpretively with lyrics that is so rare. Love your work by the way. Watched your interview with Dr Dan it was great!

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