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Augmented 6th Chords | You can find all the song chords here
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Augmented 6th Chords
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Hi music theory students! In this video you will find an explanation of what an Augmented 6th chord is and how it functions. Focus will be on the Italian, German, and French forms. This video has been recorded by David Gomez, music theory professor. Feel free to ask any questions!
If you’d like personalized instruction on any of the course topics, feel free to reach out. I am currently offering Zoom lessons now.
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Augmented 6th Chords.
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isn' t the German Augmented somehow a different notation to the tritonus substitution of the secondary dominant chord and has also simular functionality? sec dom D7 (d f# a c) substitution Ab7 (ab c eb gb = f#) , resolves exactly the same , right?
I do want to say this video has helped me tremendously!
Thank you
I think it's always better to explain Aug.6th.'s in four part(SATB) writing.
lowered b???????????????????????????????????????????????????????????????????????????????????????????????????????????????
5:07: You need your G not your B. You're thinking in bass cleff.
brilliant
With all due respect, when writing the Augmented 6th chords along with the Roman Numerals, you only need the 6. If you understand how the Italian, German, French, and Swiss chords work, the second number is not necessary. Much like when writing a figured Bass line, when you write a first inversion 1 chord you just have to write I 6, not I 6/3. Also, at 10:47 you say they tend to happen in root position. If you attempt to put them in "root position" (all on a line or space) you'll get a diminished third, which does not ever occur in any triad.
What's the difference between Augmented 6th chords and Neapolitan 6th chords?
I found this very informative, thank you 🙂
Sir: in the beginning of this super video, you state that you will compose a c minor triad. Maybe I did not understand, the c minor triad is a C EFlat and a G Note. Is that what it is. Please inform and correct me.
Respectfully submitted.
R
These videos have totally helped me pass my Tonal Harm classes here at Berklee.
Thank you so much!
Now at 5:00 did you say "b" or "g"? Because you wrote in a g, but it really sounded like a b.. I'm sure it's g I just need some clarification.
isn't the lowered third in the German a G not a B?
Thanks 🙂 think you could do a video on writing tonal and real answers for fugues?
Glad the channel is being of help!
🙂
Lol! Will do in the future. Seriously!
There are 2 great books for intro into the study. I use them with my beginner students. They are "Fundamentals for the Aspiring Musician" and "Music Fundamentals: A Balanced Approach." They are both published by Routledge. Other than that, you can continue watching my channel: InMusicTheory. I'll try to post some intro to music theory videos as well soon. Thanks!
Glad the video was of help! Keep watching the channel! New videos being posted often during the semester. Good luck in school!
Nice!
I'm not screwed for my theory test tomorrow.
Thank you!! I was about to ask about lowering the 3rd, but I kept watching and found that if it's minor, the 3rd and 6th are already louvered. Again, thank you!!
hey, i was just getting into music theory and I want to know..do you have any tips?? Where should I start? Thanks
Thanks, this was extremely helpful. I would love a lesson on Schoenberg's vector system of pantonality/atonality! It's coming up in my Tonal Harmony textbook and it's giving me anxiety just looking at it.
666 views, yes…yesssss >:)
Well you can think that way if building a German 65 only. Yes it is a Dominant 7th chord in structure, but the voice leading is not behaving as one. I'd say it would be confusing or even dangerous to think that way. My 2 cents, but thanks for you input!
Glad it's of help. Thanks for the interest!
Excellent help! I love how you ask those watching the intervals! Keeps me fresh!
Really glad! I'll be putting up more videos starting this October 2012. Any questions? Simply write!
Thank you! You greatly helped me out during my finals.
thank you